Case Studies
Marketing and advertising

A design studio raised its prices by 30% after their financial analyst revealed the true cost of their work

Olena Smolikova
Olena Smolikova
Financial expert at Finmap

The studio was doing well. Clients were coming in, projects were flowing one after another, the team was slammed. Revenue grew every year. And yet the bank account stayed empty.

The owner told himself the usual story: "not enough projects," "need more clients," "next year will be better." So he took on another project. Then another. The team worked harder, revenue climbed — and profit went nowhere.

The problem wasn't the number of clients. The problem was that nobody knew what it actually cost to deliver a single project. Дизайнери працюють у яскравій креативній студії за комп'ютерами

How most studios set their prices

Ask a creative business owner how they came up with their rates, and you'll almost always hear one of three things:

How they price Why it doesn't work
"We look at what competitors charge" You're copying someone else's cost structure, not calculating your own
"Whatever the client is willing to pay" The client's willingness to pay has nothing to do with your actual costs
"Roughly hours × rate" Revisions, project management, downtime, and taxes never make it into the math

None of these methods are grounded in what things actually cost you. So the price looks fine — until you work out what's left after everything is paid.

What's hiding inside your project costs

When a financial analyst breaks down a single project, things surface that never made it into the original calculation:

  • Revisions. You budgeted for two rounds, but there were five — that's double the designer's hours.
  • Project management. Calls, approvals, emails — dozens of hours that nobody tracked.
  • Downtime between phases. The client "went quiet for a week" — but the team was still on payroll.
  • Overhead. Rent, software subscriptions, equipment, taxes — these are part of every project too.

Each of these looks like a rounding error on its own. Together, they eat up every bit of margin the owner never saw coming.

What the diagnostic revealed

Here's what a typical studio project looks like before and after an honest accounting. The numbers are illustrative, but the gap is exactly what shows up almost every time:

Metric What they assumed Reality
Hours per project 80 140
Cost to deliver 48,000 84,000
Project price 90,000 90,000
Studio's take 42,000 6,000

A project that looked like a 42,000 profit was actually leaving 6,000. The studio had been running near break-even for years — and tried to fix it by taking on more work: more projects, more hours, the same empty account.

"The hardest part was realizing I'd been selling my team's time for less than it cost me to keep them. And the more we worked, the deeper we dug ourselves in."

Why they raised prices by exactly 30%

Once the true costs were visible, the decision was math, not courage. For projects to generate a healthy margin, pricing had to cover the real 140 hours — not the imagined 80. That's where the 30% increase came from.

Then came the interesting part. The owner expected clients to walk. Two did — the exact ones who demanded the most revisions and paid the least. Everyone else stayed: they'd never chosen this studio because it was the cheapest option.

After the price increase Result
Clients Down by 2
Revenue Barely changed
Profit Multiplied
Team workload Dropped — the endless revision cycles disappeared

That's the real paradox: the studio started making more money by doing less. Because it stopped subsidizing the clients who were draining it.

"I braced myself to lose half our clients. I lost two — and they were exactly the ones burning my team out. I should have done this three years ago." Команда дизайн-студії обговорює проєкт біля дошки з ескізами

What you can do in your own studio

You don't have to raise your rates right away. Start by getting an honest picture of where you stand:

  1. Track the real hours on one completed project — revisions, calls, waiting time and all.
  2. Add your overhead — rent, software, equipment, taxes — allocated across projects.
  3. Compare that to what you charged. You'll see your actual margin, not the one you assumed.
  4. Look at your clients individually. Almost always, one or two of them are eating the margin you made on everyone else.
  5. Then make a decision — about pricing, about capping revision rounds in your contracts, about which clients you want to keep.

This is exactly the work a financial analyst does during a diagnostic: they take your real numbers and show you the cost structure you couldn't see. To make that calculation fast and straightforward, it helps to track finances by project — in Finmap, every project is visible on its own, with its revenue, costs, and margin laid out clearly.

📌 Find out what your projects actually cost you. Book a free Finmap financial diagnostic — a financial analyst will calculate your real project costs and show you what your pricing should look like. No commitment required.

Book your financial diagnostic →

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Olena Smolikova
Olena Smolikova
Financial expert at Finmap
  • Head of Finance Department, Beauty Hub Ltd (2020–2024).
  • Head of Management Accounting and Budgeting, Intime LLC (2016–2020).
  • Senior Economist, EdYouGet LLC (2015–2016).
  • Economist with responsibilities of Deputy CFO, Ukrainian Media Holding (2008–2015).
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Frequently Asked Questions

What if clients actually leave when I raise my prices?

The ones who leave will be your cheapest and most demanding clients — the exact ones eating into your margins right now. That's not a loss, it's a reset. Clients who value quality almost always stay.

Start with one completed project and reconstruct it from memory as a team — that alone will give you a clear picture. Then put even a basic time-tracking system in place: without it, the true cost of running a creative business will always be guesswork.

Yes — apply new rates to new clients right away, and give existing clients 2–3 months' notice before theirs change. Just don't drag it out over a year: every month you wait, you're subsidizing every project out of your own pocket.

Not at all. The same dynamic plays out in agencies, IT outsourcing, architecture, legal services, and any other service business where you're selling your team's time. Wherever revisions and project management exist, your real costs are higher than you think.

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